As spamming and hacking are online issues, protection should be your next main consideration after you’ve produced an online edition. Is there something placed to ensure security on the account? What about the content? Can individuals simply copy and paste the brochure content or does the digital publishing software supplier have protective measures preventing such things? Is the content secure from copy-pasting by the common reader? Have you made an outline for selling your flash brochure yet? Where are you placing the role of blogging and social-networking in it? How is ad-handling covered in this scheme? Not all of these things are totally essential for every publication, but you’ll definitely need one that complements your particular business plan. Thinking about search engines could also be essential as you consider how to sell this electronic publication. What about mixing free content and paid? Are you going to be offering double or triple subscription selections? Will you be monetizing the content or is this venture not-for-profit? Will you be using summaries to sell this magazine? What’s the accessibility of the brochure? Is it private: then you should be able to investigate many hosting possibilities or is it public? If public you will be best hosting directly with your provider. Have you examined how to deal with back-issues?

Before you have to address any sort of emergency you should consider some additional things. How’s their level of tech support? Check out their FAQs. Also check whatever how-to guide they may feature. Do they publish any response time? Do they have around the clock support? The importance of tech support cannot be over-stated. Because you really don’t want to discover the hard way that they’re trying to cut corners at your expense in this regard…

Think carefully when picking out your magazine’s e-publishing package provider. Last, try googling the term “Zmags” to find more tips.

Our writers without exception pass it liquid that we are come through on your behalf and we?ve arrive at that occupy open and equitable not only alter loyalty to your brand but is also one of the represent that our customers have incredibly peaky acquisition rates. The example below decorate how our mark give to the results of one race that received 3 of the top 6 rankings on Google. Such machine-accessible are valuable when it travel to impact the decision insure transubstantiate, which is why cipher valued proprietary contributions to visitor generated place can offer sizeable recognise for organisations.

We designate mark within important visitor generated send. This designate that you can easily see what you?re proceed right in reference to your customers or where there?s opportunity for improvement.
Optimising organic search engine bring about Not only decide our move drive merchandise directly to your site, but they also give to the all-important organic search pass.

Through our social mediums observe, we can bring in how on web outlook of your brand go over measure which ordain allow you to compare your travel with that of your competitors. Our analysis appear that the click upon rates and conversions succeed as a destine go on of our list significantly beat out dual PPC marketing advertize and self-generated search conversions.

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It takes a dynamic presenter to step out from behind the lectern and shake up and motivate their audience.

Facts touch or mind, but it is the power that comes from stories that touch hearts.

Everybody loves a story. Stories give us insight life and human nature. They can make us laugh and they can make us cry. Story telling will go beyond the bullet points and will make a memorable impression on the heart that can change a life.

As a speaker, how can you use stories to give your presentation the impact that you desire:

• Tell inspirational stories to persuade, motivate or entertain. Use stories to illustrate the point you want to make. Try to find stories that are relevant to the audience. For example, for software engineers, tell a story about the young engineer who started a company in his garage and how Microsoft changed the world.

• Tell a story from your own experience. Make a habit of keeping a story journal and record your day’s experiences. You will have a rich supply of unique experiences to draw from to illustrate your point.

• Use gestures and acting techniques to bring your story to life. Don’t just tell your audience about a difficult client; get up and show them. Actions have a greater impact on the point you are making.

• Use description and dialogue. Take your audience into the story by using description and dialogue. Help them visualize and feel that they are part of the experience.

• Practice your story until it’s natural. Use the pacing and rhythm to communicate your message to your audience. Listen to a tape recording of yourself. Check how you have varied the tone of your voice and your speed to create the biggest impact in your story.

Remember it’s not about you; it’s about your audience. You have a great story and an important message to convey. By concentrating on your audience, you will become more confident and relaxed. This will result in your audience feeling comfortable and more receptive to your message.

Barbara White helps speakers develop dynamic
speaking skills
through workshops, training and coaching. For more articles on speaking skills
visit
www.livingbeyondbetter.com and

www.articlesbeyondbetter.com

Nevertheless during this time period I inadvertently learned so much from so many diverse experiences and observations working at break neck speed that it seems only fitting and fair to the rest of humanity to give a little of that wisdom and knowledge back. Interestingly enough I visited many writers clubs of those up and coming and some authors of several books and could see it was not about the newcomer it was about them.

Obviously a retired, built from scratch entrepreneur, is not deterred when someone says they cannot do something. Actually that sends out challenge signals which entrepreneurs pick up on and will drive that ball out of the park. I got to a point that, I decided to stop listening to the so-called expert writers and professional protectionist writers and go after my writing anyway.

So I started by writing articles about books I had written previously while in business; E-book free-information on my company and foundation websites, as well as a co-authored industry book for the Franchising Sector; oh yes, I was a founder of a franchising company in my career in business. Next I started writing about other interests I had. Now I have 7000 articles online and have not run out of material yet.

Why do writers trash on the new guy? I see this in other industries as well due to competition factors; Rule Makers and Rule Breakers, scenarios, yet writing is about sharing information and insight, thus it would seem the more the better.

Not so, apparently many writers are weak and have low-self esteem and wish to tear down to build up. Okay, I suppose we can play it that way? But do you really know who you are up against? Dear detractors of amateur online article authors, beware there is a predator on the lose and he is pissed! So, consider this in 2006.

Lance Winslow

The need for inward time seem primary now as I synthesize the experiences of the last ten days. Integrate is perhaps a more precise word. It begins with being still, creating space and allowing time for the experiences to settle.

As I write these words, I am aware that I may not be using them precisely. Loose usage, vernacular blunts the divinity, the true meaning, the divine communication. So often, we take the life out of our words to appear objective or scientific. What’s left is flat, less nourishing, even toxic or dangerous. We’re refining our words the way we do flour! Let’s leave our words whole, unprocessed, unrefined. There can be such a thing as overspecificity, that looks so closely, so centrally, so concentrated that is misses the whole and the life. Can our words have a soft, peripheral focus that contains and represents the whole yet retains the meaning undiluted?

Our words are a representation, a symbol and often poor ones. A word can create a space for much to manifest. It can water a seed of transformation, of awakening, of healing. Isn’t that what we writers seek? Call it what you will but we want to induce a change. The words are only a catalyst. The hearts and minds of our readers must be receptive and in the right place for the change to occur.

Bethany Klug, DO specializes in holistic medicine at the Kansas City Holistic Centre. She is a member of Lieurance Group, a freelance writers cooperative and authors the monthly column “The Doctor Cooks” for the Kansas City Wellness Magazine. She would be delighted to write a column or series for you.

Pick just about any topic that you can think of, go to a search engine and look it up. You are bound to find thousands of articles on the subject unless you’re looking up something so obscure, like matchbox collecting, that very few people would even think of writing anything on it. But in the case of something like Internet marketing or more specifically, resale rights, there are articles coming from just about every direction. And one thing that most Internet marketers crave more than anything, especially those who are not having success, is knowledge. These articles give them the knowledge that they need.

The questions that need to be answered are, how do we get these articles and then how do we use them to sell our resale rights package?

Getting the articles isn’t that hard but depending on what route you take is either going to be time consuming or very expensive.

The time consuming option is to write the articles yourself. Most articles, to be effective, need to be at least 500 words long. You want to give your visitor a decent amount of information in the article itself so he feels that he has gotten something valuable from it. To write a 500 word article, depending on how knowledgeable you are about the subject and how fast you can type, can take anywhere from a half hour to 2 hours or more. You’re going to want to write about 10 of these right off the bat to have any kind of decent traffic come to your site. Then you’re going to want to write at least one every day to add to your site. Search engines are looking for sites with at least 100 articles to really give them a good ranking. Yes, this is a lot of work.

The expensive option is to buy these articles from a freelance writer or from a company that specializes in article writing. Most of these companies will probably have articles on just about every subject imaginable. The problem with going this route is unless you can find an up and coming writer who works cheap, you’re likely to pay as much as $25 to $50 per article. Ten articles alone can run you close to $500. To get to the 100 you would like to have for your site, well, you’re looking at a pretty penny.

But all this work and/or expense will pay off in the long run. Once your site starts moving up the search engine rankings you will begin to see visitor counts that reach thousands per day. The amount of money you make from sales will more than make up for what you spent on articles.

But how exactly do we use these articles to sell our resale rights program?

This can be done in one of two ways.

The first way is simply to make sure that the site where the articles are posted has links to your sales page and a sales pitch somewhere on the page. You want this to be clearly visible.

The second way is within the article itself. You can simply add a little pitch at the end to showcase your product or if you want to be really subtle, just put a link to your sales page at the end of the article in the section “about the author.” Of course, you can do a combination of both of these ways.

Article writing is one of the most popular selling tools on the Internet. Use them correctly and you will see sales go through the roof.

Learn more…

PMCezine” Internet Marketing Bulletins… Receive weekly up-to-date powerful marketing tips, strategies, and secrets to grow your online business. Money making tips and tricks you must use to save you massive amounts of profit & time, increase sales & ad responses.
You don’t want to miss this ezine… A must read! Receive 6 FREE gifts when you subscribe!
mailto:PMCezine-13@smartprosystems.com
http://www.promarketers-club.com

Copyright 2006 – Ken Mathie. Editor PMCezine…
You are free to reproduce this article as long as no changes are made, the author’s name is retained and the link to our site URL remains active.

So where does that leave the rest of us? Where can we turn? What can we, the unpublished masses, do to make our voices heard?

Print-on-Demand Publishing: “Here There Be Monsters”

For many aspiring writers, an increasingly popular alternative to “traditional” publishing is self-publishing through a POD publisher. POD stands for print-on-demand (or publish-on-demand.) A POD publisher differs from a traditional publisher in that a POD publisher prints books as they are needed, whether that demand is for one, or for one hundred.

However, the very term, “print-on-demand,” evokes a mixed response, one similar to what you might get from the phrase “used car salesman.” Everyone has an opinion, and horror stories abound. But just like when you are looking for a car dealer, when you look for a POD publisher, you need to be careful and do your homework. Here are some questions you need to ask when looking for a company that offers POD services.

• How much will they charge others for your book? Let’s be brutally honest here. No one is going to pay top dollar for a paperback written by an unknown author. Yes, by “unknown author” I mean you and me. There are just too many other more important things in life to spend money on, like food, shelter, and clothing. If the self-publisher charges too much to your potential customers, you can forget about sales.
• Do they require that you pay for a minimum run? Some POD’s expect you to buy a certain number of your own book before they will publish your work. There’s nothing illegitimate about that; it’s just how some of them recoup their publishing costs. You just need to make sure you know what the requirements are before you agree to work with a POD publisher.
• Which way does the money flow? Let’s keep it simple, the money should flow in the direction of the author. In other words, you should be profiting from your work. True, your writing may be a labor of love, but love don’t pay the bills!
• Who gets to keep control over your work? Do you get final say on everything? Most things? Nothing? You need to ask.
• Do they require a contract? If the POD wants you to sign a contract in which you must give them certain rights regarding your work, be sure to read the fine print. The first book I ever self-published was locked into a seven-year contract with the publisher. BIG mistake.
• Are they honest about who they are? Not every POD publisher calls themself a POD publisher. Some POD’s try to hide what they are by insisting they are traditional publishers, or that they are “revolutionizing” the publishing industry by their cutting edge method. The traditional publishing industry is not given to revolution. If a POD will not be honest with you about what they are, they will probably not be honest, or fair, with you on anything else.

Don’t let these warnings discourage you from seeking out a POD. Instead, let them help you go into the POD world with your eyes open. There are legitimate POD’s out there. Let me save you a little time and heartache by recommeninding one I used to publish my latest novel Project Vectus. The POD is called Lulu and you can find it at http://www.lulu.com. Rather than go into any kind of sales pitch on their behalf, just go to their site with the questions above and decide for yourself how they measure up.

Glenn Haertlein is a teacher at a Christian school for children with special needs, and a freelance writer. To see his latest work, visit http://www.imglenn.net

The latest rage seems to be Article marketing and with good reason. It’s by far the best free means of promoting your business and increasing your sales and opt in subscribers.

By submitting your articles to article directories, article announcement lists, and ezine publishers, you achieve several things.

First, you establish yourself as an expert in your field. Readers are more likely to listen to you if they feel you know what you are talking about.

Second, by attaching a resource box to your article, you are giving the reader a link to your website. If the reader is impressed with your knowledge, they will probable click on your link to see what it is that you are offering.

Third, you increase your search engine page rank by providing a non-reciprocal link to your website. Search engines seem to give extra weight to non-reciprocal links in their page rankings.

But many marketers are not comfortable writing their own articles. They just do not understand how to put their thoughts into words. Or worse yet, they do not have any thoughts merit printing.

That is why private label articles are in such high demand these days. There are several of these services available and more seem to be popping up every day.

Therein lies the problem. Depending on how these articles are used, the results can be good, bad, or downright unsightly.

The Bad: A everyday mistake made by marketers using private label articles is getting lazy. They merely copy and paste the article and submit it, as is, with no personalization.

At the very least, you should change the title. Most article directories require that your article be approved before they are posted. But do you actually think they read every article that comes in? Not likely.

They get dozens, even hundreds of submissions every day, so it’s unlikely that your article will really be read.

But most directory software will automatically search their database for duplicate titles. If the title of your article matches one in their database, yours will be rejected.

So do yourself a favor and at the very least, change the title. It might also be a good idea to change the wording in the first paragraph.

The unsightly: Many marketers load so many links in their article that it becomes one long ad. This will not only get you rejected, but ultimately banned if you do it frequently enough.

The Good: As stated previously, private label articles, when used correctly, can give the non-writer a big superiority over other marketers. They can increase your traffic, sales, and opt in subscribers. That is good.

A good article contains useful knowledge to the reader whether they buy your products or not. Present to them good content and you will increase the chances that they will click your link in the resource box.

Private label articles are a great tool, but do not get lazy!

Dean Morken is the Creator of Affiliate Marketing Info Center. Your on going informational guide to promoting your site. http://www.affiliate-marketing-info-center.com

Here are some basic guidelines for submitting a professional looking complete manuscript:

The first page of your manuscript is the title page. On that page, in the upper left corner, type your name, address, phone number and e-mail address. In the upper right corner, type the approximate word count. All information in the upper corners should be single spaced. Halfway down the title page, type the title (centered) of your novel. Under the title, two spaces below, type the words “by”, under this, two spaces below type your name.

Beginning on page two, (the title page is page one) place your last name followed by a slash then the title of your work in the upper left corner; in the upper right corner place the page number of each remaining page. Halfway down the page type the chapter title and number. Again, both of these are centered. The remaining pages of your manuscript need to be double spaced. Each page should have at least a 1 to 1 inch margin.

After your manuscript is properly formatted write a cover letter which introduces you, the title of your work and politely asks the publisher to read your manuscript. Send your manuscript to a person. Make sure you have their correct title and above all make sure you spell his or her name correctly.

Before you print off your manuscript and cover letter check everything once again for spelling and grammar errors.

Print your manuscript off (only on one side of the paper) on good quality twenty to twenty two pound white paper, 8 x 11 inches.

Manuscripts longer than ten pages should be mailed in 5 x 7- inch mailing envelope. Enclose a self addressed stamped envelope (SASE) for a reply.

Follow these guidelines and you will present a professional looking writing package worthy of the time you spent on your novel.

Carol Boles has a master’s degree in Special Reading and an Educational Specialist degree in Curriculum and Instruction. She has more than ten years experience teaching K-12 reading in public schools. She now manages her own business and is a member of the Lieurance Group, a freelance writers cooperative. Find out more about her writing services at http://www.lieurancegroup.blogspot.com or email her at Cwrites-56@hotmail.com

The Hero’s Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.

Understanding this template is a priority for story or screenwriters.

The Hero’s Journey:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

and more…

Sample Movie Deconstructed: Shine (1996)

Grown David

FADE IN: Context: Meeting the Hero: Adult David speaking to himself in his way.

Loop: Meeting the Hero: David let into the bar and driven home.

Referencing the Antagonist: Daddy (Peter).

Young David

Hero’s Capabilities: David is going to play the piano.

Meeting the Antagonist: Peter says he will play Chopin.

Chosen by the Mentor: Rosen spots David’s talent.

Hero and Antagonist relationship: he’s my son.

Hero’s Ordinary World: David at home with family.

Antagonist’s Backstory: when I was a boy I had a violin.

Pushed to the First Threshold by the Mentor: Rosen arrives.

Call to Adventure: David could be very successful with the right music teacher.

Refusal: Herald pushed out of the house.

Elixir: Rachmaninov; the hardest piece in the world.

Foreshadow of the Journey: one day you will make me very proud; we are going to win.

Pushed to the First Threshold: David’s father takes him to see Rosen.

Threshold Guardian: Rosen won’t teach him Rachmaninov, but will teach what he thinks is right.

Grown David

Foreshadow of the Resolution / Hero’s Ordinary World: Sylvia takes grown David into his room.

Young David

Successfully Crossing the First Threshold: David wins the prize; offered a scholarship in America.

Hero’s Ordinary World: David at home again.

Resisting the Physical Separation: David’s Dad has no money to send him to America.

Foreshadow of Mentor’s Magical Gift: We’ll raise it through a Bar Mitzwah.

Mentor pushes the Physical Separation: Rosen tries to convince David’s mother.

Developing Characters and Relationships: if you want to go to America you have to be fit and strong like me.

Magical Gift: Raising the money at the Bar Mitzvah.

Developing the Antagonist: Peter at home, discussing ‘these people’ with his wife.

Foreshadow of the Physical Separation: looking at pictures of David’s achievements.

Hero’s Romantic Challenge: the girl in the library.

Meeting Mentor 2: Katharine.

Interdiction: Peter doesn’t allow David to go to America.

Developing the Antagonism: Peter beats David.

Mentor and Antagonist Confrontation; mentor Hawk and Antagonist Interdiction: at the synagogue; Rosen bangs on the door.

Hero and Antagonist confrontation: it is a terrible thing to hate your father.

Grown David

David looking at the letter to America.

Young David

Mentor’s Guidance: David plays for Katherine.

Punishment for Refusing the Journey: David loses the competition.

Mentor’s Guidance: David gets a scholarship for the Royal College of Music in London.

Interdiction: “…and you think you can do as you please…”; Peter beats up David; will never speak to him again if he goes.

Breaking the Interdiction: David leaves.

Goodbye to the Old World: Peter burns the pictures.

World of the Transformation: London; Royal College of Music.

Mentor spots a Hero: I see genius in him.

Meeting Mentor 3: Cecil Parkes.

Outer Cave / Mentor’s Guidance / Transformation 1: Cecil guides David.

Middle Cave / Transformation 2: Meeting Allies: David’s pals.

Link with the Old World / Developing Characters and Relationships: David sends tape recordings to Katherine.

Pulled into the Inner Cave: the competition; David wants to play the Rach 3.

Preparing for the Inner Cave: learning the Rach 3 under Cecil’s guidance.

Severing links with the Old World: Katherine dies.

Inner Cave Reward: With Cecil in the Mausoleum.

Inner Cave: David plays the Rach 3 to a standing ovation and falls.

Returning to the Old World: Daddy I’m home; Peter puts the phone down.

Grown David

World of the Sword: Susie comes to see David in the Institution.

Foreshadow of the Sword: David is drawn to the piano.

Resistance to the Sword: the nurse drags David away.

Pushed Forward: David sits at the piano.

Guardians of the Sword: Peter meets Beryl at the piano; Beryl takes David home; Beryl can’t handle David and he moves into his room.

Seizing the Sword: David at his own piano in his own room; learns to play again.

Loop: back at the bar.

David’s own piano is locked.

Seizing the Sword: David enters the bar and plays the piano to applause; David becomes a local star.

Near Death Experience : Peter turns up; “..goodnight Daddy..”

Meeting the Romantic Challenge: Gillian arrives.

Goddess’ Challenge: she’s due to be married to an investment advisor.

Atonement with the Father: pictures of Roger writing to Cecil; watching Roger in concert.

Apotheosis: Gillian leaves; David asks Gillian to marry her; ask the stars.

Ultimate Boon: Gillian asks the stars; the marriage; the celebration; in bed.

Crossing the Return Threshold: time to go…first concert in years.

Master of Two Worlds: David gets a rapturous round of applause at his concert; Rosen, family et al are there.

Freedom to Live: Daddy dies; he doesn’t feel anything.

Learn more…

The Complete 188 stage Hero’s Journey and other story structure templates can be found at http://www.managing-creativity.com/

You can also receive a regular, free newsletter by entering your email address at this site.

Kal Bishop

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You are free to reproduce this article as long as no changes are made and the author’s name and site URL are retained.

Kal Bishop is a management consultant based in London, UK. His specialities include Knowledge Management and Creativity and Innovation Management. He has consulted in the visual media and software industries and for clients such as Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a number of screenplays. He is a passionate traveller. He can be reached at http://managing-creativity.com/